Thank you for visiting Stephanie Alison Walker's official website. The site is currently under construction so please check back soon for the full experience!
AN AVERAGE MAN IN LOUISVILLE
Jan 2, 2013
My ten-minute play An Average Man is a finalist for the Heideman (happy dance) and will be performed at Actors Theatre of Louisville as part of their Apprentice/Interns production THE TENS – January 15 – 18, 2013.
Here is some information about the plays and playwrights:
An Average Man by Stephanie Alison Walker directed by Michael Whatley On a Starbucks run for his co-workers, an average man is presented with the opportunity to be a hero. Will he leave the task to someone else as always, or confront his fear and save the day? It all happens in a moment—and this moment is his. Stephanie Alison Walker is a published playwright and author. Her latest full-length play, American Home, was the winner of the 2011 American Blues Theater’s Blue Ink competition. Her memoir, Love in the Time of Foreclosure, based on her blog of the same name, is published as an eBook by Outpost19 and is available at major online booksellers.
Boy Talk by Erik Gernand directed by Michael Legg The day before heading off to college, two best friends spend a day at the beach. One wants to joke around, but the other has serious questions about his future. Erik Gernand’s short films have been screened at more than 100 film festivals around the world, including SXSW, Cinequest and Outfest, and have been broadcast on IFC, PBS and MTV Networks. His full-length play The Beautiful Darkhas been developed at theatres including The Barrow Group (New York) and Chicago Dramatists. Gernand’s is a lecturer in Film Production at Northwestern University.
Estate Planning by Emily Feldman directed by Kate Eminger A young couple find themselves stalled at the intersection of love and realty. Their broker warns them—and their new neighbor helps to confirm—that the pursuit of happiness might lead them down a winding road. Emily Feldman is a playwright living in New York. She has been a Core Apprentice at The Playwrights’ Center in Minneapolis, an associate artist at The Atlantic Center for the Arts and a Tennessee Williams Scholar at the Sewanee Writers Conference. Her plays have been developed and produced at Actors Theatre of Louisville, in the Playwrights Horizons Resident Workshop and by PTP/NYC. Feldman is a graduate of Middlebury College.
Exburb by Jason Gray Platt directed by Abigail Bailey Maupin In The-Middle-Of-Nowhere that used to be Somewhere, Ben is throwing a house party. But when he discovers an uninvited guest in the kitchen, the night quickly becomes less about the party and more about the house. Jason Gray Platt’s work has been produced and developed around the country by American Repertory Theater, Round House Theater, The Institute of Contemporary Art/Boston, P73, Red Bull Theater, Ensemble Studio Theatre, Clubbed Thumb and the Source Festival, among others. He was the runner-up for the 2007 Princess Grace Award in playwriting and a finalist for the 2011 O’Neill Conference. He holds a B.A. from Vassar and an M.F.A. from Columbia.
Halfway by Emily Schwend directed by Rachel Karp When her sister visits her at a halfway house in East Texas, Kat is desperate to impress and win Melissa’s forgiveness and love. Eager to reclaim her place in the family, Kat soon discovers that redemption might be more difficult and complicated than she thought. Emily Schwend was born in Texas and raised all over the world. Plays include South of Settling (Steppenwolf’s 2012 Next Up Rep), Carthage (2009 O’Neill National Playwrights Conference), Splinters (2011 ATCA/Steinberg prize finalist) and Route One Off. Her plays are frequently produced in Christine Jones’ Theatre for One booth. She is an alumna of the playwriting programs at Juilliard and New York University’s Tisch School of the Arts.
Lucid by Naomi Shafer directed by Jeffrey S. Rodgers Tessa and Ben check into a motel room with filled with too many appliances. The relentless electrical hum nearly drowns out their attempts to take care of each other, as they wait for difficult news. Naomi Shafer is a dramaturgy/literary management intern at Actors Theatre of Louisville. Her plays have been developed at as part of the Kennedy Center’s American College Theatre Festival and by PTP/NYC. Shafer is a recent graduate of Middlebury College.
One in Two by Carmen M. Herlihy directed by Michael Legg Cancer sucks. But a fundraising party to fight cancer shouldn’t. Carmen M. Herlihy is primarily an actor living in New York, and One in Two is her second ten-minute play. The first,Coffee Break, was a finalist for the Heideman Award, and was produced by the City Theatre Summer Shorts Festival (Miami, Fla.). She hopes to start a full-length play one day.
Unpleasantries by Sarah Grace Welbourn and Annabeth Bondor-Stone directed by Amy Attaway Unpleasantries is a play about small talk’s soul-numbing effect on the human spirit. It takes place in an elevator. As you might imagine. Annabeth Bondor-Stone and Sarah Grace Welbourn met at Northwestern University. Between them, they have written and performed at Chicago Dramatists, Upright Citizens Brigade Theatre, The Magnet, The PIT and other venues in New York, Chicago and Los Angeles. Every play Bondor-Stone and Welbourn have written together has received a professional production. Unpleasantries is their only play. For more information about the production (including cast and production team) click here.
THE ART OF DISAPPEARING – A READING OF A NEW PLAY IN CHICAGO
Mar 23, 2012
I’m one happy playwright. Tomorrow is the Chicago Dramatists reading of my full-length play, THE ART OF DISAPPEARING.
I began writing this play just over 9 years ago. 9 years! And tomorrow it is getting a wonderful reading by an extraordinary cast of actors at the place where I took my first playwriting class taught by Lisa Dillman.
This play has had readings and was a finalist for the 2008 Princess Grace Award for Playwriting. But I have never felt as confident about it as I do today. I’ve put so much into it and had so many supportive voices along the way.
From my playwriting class with David Scott Milton in grad school at USC (where I began writing it) to Lee Wochner’s Workshop in Silver Lake where I began to rewrite it, and the wonderful organizations (Moving Arts, The Blank, Alliance of Los Angeles Playwrights) actors and directors who have given their time to it along the way.
Tomorrow’s reading is being directed by Ann Filmer. I’m loving working with her on the play. We are having such fun… which is saying something considering the heavy subject matter.
This cast is so good that in rehearsal the other night, one of the actors exclaimed, “When do we mount this?!”
I responded, “That’s what I want to know.”
I truly believe that this play is ready for a production. And I’d be one happy and lucky playwright if it were with this director and this cast.
I’m so grateful to Chicago Dramatists – specifically David Barr and Russ Tutterow – for inviting me into this process. It’s restored my faith in this work. And I needed that. Because let’s face it, after nine years of writing and rewriting and sending it out and getting rejected… well, that faith can be shaken.
But today, I’m 100% behind this play. For better or worse. And I’m visualizing its opening night. Hopefully here in Chicago. Because this is where the play is set.
Tomorrow is the reading. Where I get to hear what works, what doesn’t, where it drags, where it soars, where it confuses, where it intrigues, where it alienates and where it lands.
It’s always a nerve wrecking experience. But this time I have NINE years of work behind me. I’m ready. And I’m supported by a brilliant director and cast.
Me = Happy playwright
If you’re interested in attending the reading… here is the info:
“The Art of Disappearing”
by Stephanie Alison Walker
directed by Ann Filmer.
Cast includes: Joan Kohn Meghan Reardon Thomas Edson McElroy Zach Kenney Weston Blakesley
When Melissa receives a mysterious invitation to brunch from her mother after a two-year estrangement, she returns to a home where nothing is as it seems. The devastating truth she discovers in her parents’ house threatens to tear all of them apart for good.
Come on out, have a listen, stay for the talk back and talk back.
Saturday, March 24
Chicago Dramatists (at Chicago and Ogden)
A CAR PLAYS PLAYUH
Mar 14, 2012
Moving Arts’ production of The Car Plays: San Diego at the La Jolla Playhouse closed on Sunday after a sold-out run and extension. This production may be over, but the promise of a future Car Plays production lives on. Right? At least in my mind it does. Anywho…
Because I love this production and just can’t stop spreading the word about it, I have yet another story to share with you. This piece is a particularly exciting and insightful article written by Actor/Director/Writer/Producer Michael Shutt for Bitter Lemons about the experience from an actor’s perspective and everything that he has learned in having to repeat a performance over and over and over again. The man has performed 375 times as part of this unique production. 375times! He kind of knows what he’s talking about.
If you want the real inside view of The Car Plays, then you should read this article. Go on. Read it. Now! Here it is:
This time in San Diego at the La Jolla Playhouse… in the parking lot, of course. The production is a co-production between Moving Arts and the La Jolla Playhouse and is part of the WOW Series at the playhouse. I’m psyched that my play “It’s Not About the Car” is a part of this production and even more psyched that I get to see it on Friday. It runs from February 23 – March 4.
Before We Go Home by Richard Martin Hirsch | Directed by Darin Anthony A couple (Michael Shutt & D.J. Harner) finds the prospect of a short drive home unexpectedly daunting after circumstances lead them to make a painful decision.
Selkies by Lila Rose Kaplan | Directed by Casey Stangl A secret is revealed when two old friends (Wendy Elizabeth Abraham and Rebecca Davis) visit the seals off the coast of California.
The Audience by Kiff Scholl | Directed by Matt Bretz What is supposed to be a compelling night of site-specific theater, comically devolves, as the play never starts and the audience is forced to fend for themselves. With: David Youse and Ron Morehouse.
Alright by Alex Lewin | Directed by Robert Castro After a family spat, a sullen teenager (Matthew Bohrer) decides to spend the night in his car. But his father (Eddie Yaroch) won’t let him simply stomp away anymore.
One for the Road by Michael Shutt | Directed by Matt Thompson One last drink, one last kiss, one last choice: One For The Road. With: Thomas Hall and Kevane La’Marr Coleman
Reveille by EM Lewis | Directed by Sam Woodhouse Leonard’s only son has signed up for the military. He leaves for boot camp this morning. With Will Tulin and Michael Zlotnik.
The Duo by Jessica Smith | Directed by Jason Duplissea On the fateful day of the Comic Con costume contest, two friends (Peter James Smith and Tony DeCarlo) confront the future of their dynamic duo.
Dead Battery by Lee Wochner | Directed by Paul Stein A bereft mother (Sara Wagner) searches for clues to her son’s death as she cleans out his car and struggles to cope with her loss.
It’s Not About the Car by Stephanie Alison Walker | Directed by Claudio Raygoza Vic (John Polak) surprises Marla (Rhianna Basore) with a car for her birthday, but all she really wants is a divorce.
The Carpool by Jennifer Barclay| Directed by Delicia Turner-Sonnenberg Mr. Blackwell (Charles Maze) has been doing lots of naughty, naughty downsizing around the office. The members of the carpool (Samantha Ginn and Reed Willard) are out to set him straight.
Disneyland by Paul Stein | Directed by Dana Schwartz On their freeway-congested drive to Disneyland, Dad (Trey Nichols) pulls the car over to scold his two misbehaving kids. No Matterhorn ride and the long trip home might be the resulting possibility.
Outside, Looking In by Michael David | Directed by Sara Wagner A lonely, middle-aged woman of privilege finds unexpected compassion on the streets of San Diego. With: Lisa Goodman and Sean Tweedale.
Skipped by David Myers | Directed by Seema Sueko A drunken teenager (Zachary Martens) tries to dodge the cab fare. But this cabbie (Albert Park) is onto him. And he’s not taking it anymore.
We Wait by Steve Lozier | Directed by Lisa Berger Two loyal dogs wait in a hot car for their owners, wondering if they will ever come back… With: Wendy Waddell and Judy Bauerlein
The Love of Make-Believe by JJ Strong | Directed by Kiff Scholl A maid-of-honor and a best man (Laura Buckles and Donald Rizzo) indulge in a post-reception tryst that leaves them both hopelessly caught between their pasts and futures.
When my ten-minute play, The Chocolate Affair, was published online by Walter Wykes at 10-Minute-Plays.com, I had no idea I would get as many requests as I do from college and high school students around the world. Something about this play really appeals to high school and college students looking for a ten-minute play to direct for student showcases, workshops, one-act festivals and even Forensic competitions.
Side note: Before publishing The Chocolate Affair, I was not aware that the term ‘Forensic’ relates to Speech & Debate. When I received my first request for use of my play at a Forensic tournament, images of Catherine Willows from CSI flooded my brain. I was more than confused. Then I Googled it (like a good little playwright) and discovered the NFL. No, not that NFL. The National Forensic League. Duh.
As I was saying, The Chocolate Affair has been around the world a bit. From South Africa to Singapore to India to Australia as well as here in the United States and even in the virtual world of Second Life. Not bad. I wish I were that well traveled. But so far none of these schools has been willing to foot an international flight for the playwright. One day, right?
Well, I did get to see the production in Second Life. I had to create an avatar just to see it. And when I finally figured out how to get my avatar into the theater, I couldn’t get her to sit down. She just kept standing on theater seats. Up on the seat, down on the floor. Turn around. Do it again. It was really hysterical. What made it even more funny was my husband (who is a computer consultant) watching me attempt to control my virtual self. Though he was no help, thank you very much.
And I wasn’t the only one having problems. Though most of the other avatars were sitting down like good theater patrons some seemed to have the same problem I was having. One avatar had his back to the stage through all of the plays. And another just kept walking up and down the aisle. Forget about cell phones ringing, you had to worry about your avatar jumping up in the middle of a play. It was just moments before the plays began that I finally got my stubborn avatar to sit properly. It was a relief.
No one wants to be that avatar. Am I right? I’m right. Just ask Felicia Day. Which reminds me. Do You Want to Date My Avatar was not only brilliant and hilarious, it sticks. It’s now in my head. And will probably be there the rest of the day.
What was I talking about?
Oh right. Online publication of ten-minute plays.
Now to the point of this post…
I’m happy to report that my two-person ten-minute romantic dramedy The Big Ride is joining The Chocolate Affair on Ten-Minute-Plays.com. And it has a competitive spirit. It’s already talking smack. Claiming it will get more productions in 2012 and go to far more countries. So far The Chocolate Affair (TCA) isn’t letting The Big Ride (TBR) ruffle her feathers. She’s quite secure in her popularity. In fact she applauds TBR for his ambition and even wishes him well… which only further irritates motivates him. Still, TCA’S feathers remain unruffled.
Is this a healthy sense of self? Or is it an inflated ego? Time will only tell as these two ten-minute plays battle it out in 2012. May the best short play win.
LOVE IN THE TIME OF FORECLOSURE… THE BOOK!
Oct 11, 2011
t’s here! My first book. Love in the Time of Foreclosure.
What’s it about? It’s about how my husband and I created our dream life in the face of losing our dream home. It’s the story of how we saved our marriage while losing everything else. It’s about how love conquers all… even foreclosure.
In 2008, my husband lost his job soon after we had completed a major renovation on our Silver Lake home. Our only back-up plan was to sell the house. We listed the house, found new jobs (at a combined 60% less than my husband’s previous salary alone) and quickly found ourselves fighting foreclosure at the beginning of the housing crisis.
We made a pledge to each other to rise above our financial crisis. We were committed to learning everything we could from the experience and actually creating the life of our dreams. Love in the Time of Foreclosure tells the story of how we did that. The ups, the downs, the maddening struggle for a loan modification, the re-calibrating of our priorities and perception of the world, the selling of everything and everything else in between.
Who would buy it? According to author Janelle Brown, “anyone who owns, has owned or fantasizes about owning a home.” It’s also the perfect fit for anyone who is in foreclosure, worried about foreclosure, unemployed and/or struggling with something major in their life or relationship.
PRAISE FOR LOVE IN THE TIME OF FORECLOSURE
Stephanie Walker has the wit to transform the shame and anxiety of foreclosure into a genuine human adventure. Its a rare story-teller who can endure the soul-shaking loss of a home, and the concurrent stress on relationships, and see through that – one’s higher priorities in life. Stephanie does this with the kind of humor and personal insight that challenges the fierce attachment that we have to bricks and boards, and she leads us to a new understanding of what’s really important as “home”.
–Dick Gordon, “Host of “The Story”, heard on public radio stations, nationwide.”
Stephanie Walker writes about tough experiences with honesty, humor and a good dose of optimism. Her story is a window on a downturn that affected millions of Americans—for worse, but also sometimes better. There are life lessons in here for all of us.
“Love in the Time of Foreclosure” is essential reading for anyone who owns, has owned, or fantasizes about owning a home. Stephanie Walker’s personal real estate horror story is wrenching and emotionally honest, as she explores the impact of home ownership on relationships, dreams, and self-identity.
– Janelle Brown, author of “All We Ever Wanted Was Everything” and “This Is Where We Live”
WHERE CAN I BUY IT?
Love in the Time of Foreclosure is available for the Kindle on Amazonand for the Nook on Barnes & Noble.
Well, after something like ten years of submitting ten-minute plays to Actors Theatre of Louisville, I am finally a finalist! (I’m glad I didn’t give up.) It’s exciting being a finalist, but it doesn’t really mean anything. Just keep writing. And submitting. And put it out of my mind.
The letter says they will announce the winner in January 2012 and that they will consider all finalist scripts for inclusion in their annual winter production of ten-minute plays as well as the Humana Festival of New American Plays in March of 2012. (That would so amazing! But trying to put it out of my mind so as not to obsess.)
The play that is named a finalist is Edward Cullen Ruined My Mother’s Love Life. I really love this play so I’m especially happy that this is the one that cracked the Heideman nut.
Submissions are open for the 2012 Award so it’s time to submit again. I just need to decide which play to send. And I need to send it fast because they have changed their submissions and are only accepting the first 500.
I am so happy to be a part of this exciting project.
A description of the event from ABT’s site:
RIPPED is based on the 1930’s WPA era program that brought Orson Welles, Arthur Miller and Clifford Odets into public attention. We incorporate scripts from the original 1930s LIVING NEWSPAPER juxtaposed with new material ripped from today’s headlines. Like the original productions, the artists incorporate vaudeville, traditional scenes, music, dance, visual arts, and with the addition of electronic media as well. This reading series cultivates new material and allows audiences to discuss topical issues together. We are developing material for a production series in September 2011.
My plays selected for the sixth edition of RIPPED are An Average Mandirected by Heather Meyers and MELT directed by Kate Buddeke.
And full details for anyone who wants to attend:
AMERICAN BLUES THEATER COMPANY PRESENTS
RIPPED: The Living Newspaper Project
on Monday, July 18
at the Joffrey Ballet Tower–10 E. Randolph St., Studio B, 7pm
Suggested $10 donation.
In addition, we’re collecting school supplies, office supplies, and computer equipment for Chicago Public Schools (CPS).
Bring some new notebooks and pencils. Thank you for making a difference!
THE HUFFINGTON POST CALLS HOLLYWOOD HILLS A “FAVORITE”!
Jun 16, 2011
I’ve been trying to live vicariously through everyone involved in The Car Plays this year since I can’t be there in person. Since I can’t be Skyped in to the performances (too bad) I have been settling for looking at everyone’s pictures from the event.
However, I haven’t been able to get my hands on a picture of my play Hollywood Hills – directed by Zeke Rettman and starring Jenn Swirtz and T. Lynn Mikeska.
Perhaps it had something to do with last night’s full moon, but somehow Wyatt Closs of The Huffington Post heard my plea. Not only did he call Hollywood Hills a “favorite” (!!) he also included this A-MAZING photo from last night in his story about The Car Plays.
Hipsters by Jason Duplissea was Wyatt’s other favorite.
This is the kind of press I love!
My only complaint? The playwrights were not credited in the piece. Ugh. Is it just me or does that happen a lot? I guess we’ll just have to credit the playwrights here and now. (again… for good measure.)
As you know, Hollywood Hills was written by me (Stephanie Alison Walker) and Hipsters was written by Jason Duplissea who is a Moving Arts company member. Hipsters is directed by Miles Feld and stars Terrence Colby Clemons & Melanie Minichino.
Hello, HuffPo writer Wyatt Closs. I’m so glad you liked my play! And thanks for fulfilling my wish to see a production pic… and an awesome one at that!
Producers: Paul Stein, Steve Lozier, Kim Glann, Cece Tio Assistant Producer: Lem Thornton Stage Managers: Cirby Hatano, Bradley McCoy, Dylan Gardner Carhops: Terence Anthony, Kiff Scholl Walking Tour Guide: Rebecca Davis Runner: Tara Thomas Dressing Room: Donna Peacher-Hall
Disneyland by Paul Stein Director: Dana Schwartz Starring: Madelynn Fattibene
Flooding by Jami Brandli Director: Kiff Scholl Starring: Peter James Smith & John Copeland
Cruising Con La Virgen by Joe Luis Cedillio Director: Dino Dinco Starring: Edward E Cohen & Abel Soto
Am I Losin’ by Ron Klier Director: Ross Kramer Starring: Derrick LeMont* & Andrew Miller
The Love of Make-Believe by JJ Strong Director: Kiff Scholl Starring: Laura Buckles^ & Donald Rizzo
Drop-Off Day by EM Lewis^ Director: Michael Shutt^ Starring: VyVy Nguyen & Porter Kelly
Sunday in the Hood by Terence Anthony^ Director: Jason Duplissea^ Starring: Larry Powell*, Jenny Gillett^ & Jason Duplissea^
Prom: Time Out by Meghan Gambling Director: Jenifer Yeuroukis* Starring: Sarah Greyson & Katie Malia
The Audience by Kiff Scholl Director: Matt Bretz Starring: Kim Ward & Casey Nelson
Abraham & Isaac by Allain Rochel Director: Nataki Garrett Starring: Alex Morris & Edward Rowley
We Wait by Steve Lozier^ Director: Armina LaManna* Starring: Corey Klemow* & Herb Hall*
Hipsters by Jason Duplissea^ Director: Miles Feld Starring: Terrence Colby Clemons & Melanie Minichino
Dragon Compact by Cindy Marie Jenkins Director: Kelly Lohman Starring: Amanda Troop* & Richard Miraan
Tommy Got His Gun by Sara Israel Director: Reena Dutt Starring: Wilson Bethel & Grace Eboigbe
Hollywood Hills by Stephanie Alison Walker Director: Zeke Rettman Starring: Jenn Swirtz & T. Lynn Mikeska